Dona Tadea Arias de Enriquez (1793) by Francisco Goya

Dona Tadea Arias de Enriquez - Francisco Goya - 1793

Artwork Information

TitleDona Tadea Arias de Enriquez
ArtistFrancisco Goya
Date1793
Mediumoil,canvas
Dimensions181 x 122 cm
Art MovementRomanticism
Current LocationMuseo del Prado, Madrid, Spain

About Dona Tadea Arias de Enriquez

The artwork titled “Dona Tadea Arias de Enriquez” was created by Francisco Goya in 1793. This oil on canvas painting is a notable example of the Romanticism movement and perfectly captures the essence of portrait genre. It measures approximately 181 by 122 centimeters. The artwork is housed within the prestigious collection of the Museo del Prado in Madrid, Spain, where it can be viewed by the public.

The artwork depicts a full-length portrait of a woman standing against a soft, natural backdrop. She is attired in a white gown with delicate, ethereal fabrics that cascade down to her feet, embodying the fashion of the late 18th century. The dress is embellished with lace and has a low neckline, while her waist is cinched with a dark decorative belt. Her posture is upright and dignified; her right arm extends gracefully, while her left hand rests lightly on her hip.

The subject’s hair is styled in a high, voluminous manner typical of the period, emphasizing elegance and status. Her facial expression is serene with a hint of solemnity, her gaze meeting the viewer squarely, suggesting a woman of substance and character. A thinly painted veil of slight transparency overlays the dress, giving a sense of airiness and texture to the depiction.

At the lower left of the artwork, there is a coat of arms displayed on an object that resembles a pillow or a piece of fabric, implying the subject’s noble lineage or familial importance. The background is subtly painted, with muted tones of greenery and sky hinting at an outdoor setting, which serves to focus the viewer’s attention more on the figure and less on her surroundings.

Overall, Goya’s mastery in portraying the character and status of his subject is evident in the refined execution of the portrait, capturing the Romantic era’s fascination with personal expression and the sublime elements of nature.

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