Dora Maar (1939) by Pablo Picasso

Dora Maar - Pablo Picasso - 1939

Artwork Information

TitleDora Maar
ArtistPablo Picasso
Date1939
Mediumoil,canvas
Art MovementSurrealism

About Dora Maar

The artwork “Dora Maar” is an oil on canvas portrait created by the renowned artist Pablo Picasso in the year 1939. It is a product of the Surrealist movement, which was characterized by surprising and illogical scenes, often rendering dream-like visuals that defy conventional representation. Picasso’s portrayal of Dora Maar is a testament to his distinctive approach to form and his ability to convey complex emotional states through his art.

The artwork features a highly stylized depiction of a woman with distinctive, dislocated facial features that are a hallmark of Picasso’s style. The face is divided into sections, reflecting multiple perspectives simultaneously – a common technique in Picasso’s portraits which challenges the viewers’ perception. The subject’s eyes are rendered differently; one is frontal while the other is in profile, and her nose and mouth are abstracted and simplified. The figure wears a hat adorned with a flower, adding a touch of femininity and surreal oddity to the composition, that stands in stark contrast to the otherwise geometric treatment of the face and clothing.

The color palette in this artwork includes a range of greens, yellows, blues, and reds. These colors are applied with a boldness that is characteristic of Picasso’s work from this period, emphasizing the emotional intensity underlying the portrait. The background is muted, allowing the figure to stand prominently at the forefront. The texture of the brushwork, visible in high-quality reproductions or the original painting, contributes to the overall expressionistic quality of this piece.

Overall, this portrait of Dora Maar by Picasso is a striking example of Surrealism that poses a challenge to traditional portraiture, through its fractured form, dislocation of space, and revolutionized use of the human figure, capturing the essence of the subject’s identity while simultaneously dissecting it.

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