Double Portrait of Natalia Nordmann and Ilya-Repin (1903) by Ilya Repin

Double Portrait of Natalia Nordmann and Ilya-Repin - Ilya Repin - 1903

Artwork Information

TitleDouble Portrait of Natalia Nordmann and Ilya-Repin
ArtistIlya Repin
Dimensions130 x 78.5 cm
Art MovementRealism
Current LocationFinnish National Gallery, Helsinki, Finland

About Double Portrait of Natalia Nordmann and Ilya-Repin

The artwork titled “Double Portrait of Natalia Nordmann and Ilya Repin” is a significant piece by the artist Ilya Repin, created in 1903. This oil on canvas masterpiece is part of the Realism movement and measures 130 by 78.5 centimeters. The genre of this painting is a portrait, showcasing the likenesses of Natalia Nordmann and the artist himself, Ilya Repin. The artwork is currently housed in the Finnish National Gallery located in Helsinki, Finland.

The artwork presents a scene of casual elegance and intimacy. It features two figures presumably situated in an outdoor setting, possibly on the veranda of a summer residence, which is suggested by the naturalistic backdrop of trees and foliage depicted with lively, dappled light. The man on the left, with an unruly mane of hair and a penetrating gaze, appears deeply engaged in writing or drawing, his tools of creation gripped in his hands. His relaxed, yet disheveled attire contrasts with the more composed and regal posture of the woman on the right.

The woman, whose pose suggests a mix of contemplation and ease, sits with one arm draped gracefully over the back of the bench, holding a pair of pince-nez, while her direct look towards the viewer adds a layer of interaction with the audience. Her attire, consisting of a dark burgundy dress complemented by a lilac scarf neatly tied at the collar, denotes a sense of sophistication and poise. The subtle interplay of shadows and highlights on the fabric of their clothing evidences Repin’s meticulous attention to the effects of light.

Overall, the artwork suggests a moment of relaxed camaraderie and intellectual pursuit, with both figures captured in a naturalistic manner characteristic of Repin’s style, as well as the broader Realist movement which aimed to depict subjects truthfully, without artificiality and avoiding artistic conventions or implausible, exotic, and supernatural elements.

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