The artwork, titled “Entry into Jerusalem (Fragment),” was crafted by the artist Duccio between the years 1308 and 1311. Executed using tempera on wood, this work belongs to the Proto Renaissance art movement and is categorized within the genre of religious paintings. It forms a part of the larger series known as the Maesta.
In this fragment, Duccio has depicted a scene from the biblical narrative of Christ’s entry into Jerusalem. The central figure of Christ is seated on a donkey, clad in robes of deep blue and red, symbolizing both his divine and royal nature. Surrounding Christ are his disciples and the people of Jerusalem, portrayed with expressive gestures and attentive gazes that draw the viewer’s attention to the historic significance of the moment. The architectural background of the city’s walls underscores the sacred setting, while the use of gold leaf for the halos denotes the sanctity of the figures. The meticulous attention to detail, richness of color, and spiritual depth characteristic of the Proto Renaissance are all evident in this masterful piece by Duccio.
