The artwork “Fanny Mae,” created by Emma Amos in 1965, belongs to the Feminist Art and Color Field Painting movements and embodies elements of both figurative and abstract genres. The artwork presents a vivid and dynamic composition that integrates bold hues and abstract forms to depict its subject matter.
In the artwork, the use of primary and secondary colors stands out, with prominent shades of yellow, red, blue, green, and brown creating a visually striking piece. The composition features abstract, yet somewhat discernible, figures and forms, including a seated figure with notable yellow hair, rendered in thick, expressive brushstrokes. The background is an amalgamation of various geometric shapes and partitions of flat color. The juxtaposition of solid color blocks and loosely defined shapes underscores the abstract quality of the painting, while still hinting at a narrative or scene. Emma Amos’s technique and color palette in “Fanny Mae” adeptly capture the essence of Color Field Painting while making a statement within the Feminist Art movement.
