Femme Assise, Robe Bleue (1939) by Pablo Picasso

Femme Assise, Robe Bleue - Pablo Picasso - 1939

Artwork Information

TitleFemme Assise, Robe Bleue
ArtistPablo Picasso
Date1939
Dimensions73 x 60 cm
Art MovementSynthetic Cubism,Cubism

About Femme Assise, Robe Bleue

“Femme Assise, Robe Bleue” is an abstract artwork created by Pablo Picasso in 1939, measuring 73 x 60 cm. As an exemplar of Picasso’s contribution to Synthetic Cubism, this piece embodies the distinctive aesthetic of disjointed perspectives and shapes that this movement is known for. The use of geometric forms and interlocking planes reimagines the representation of the subject, breaking away from traditional visual interpretations.

The artwork presents a seated female figure, featuring Picasso’s signature style of fragmented geometry and distorted perspective that challenges conventional portraiture. One can observe the use of vivid colors in broad, confident swathes across the canvas, with the titular blue dress dominating the figure’s form. The background is composed of a pattern of diamond shapes in earthy tones, which contrast with the cooler hues of the figure, drawing attention to the subject at the center. Each element of the composition has been meticulously broken down, rearranged, and overlapped, creating an effect that is simultaneously abstract and, yet, recognizable as a human form.

The face is a focal point, rendered with asymmetric features that possess an almost mask-like quality, a common theme in Picasso’s oeuvre. The eyes, nose, and mouth are reconfigured in such a way that they appear to be visible from multiple angles simultaneously. The presence of a hat with elaborate plumage adds to the stylized nature of the piece. The figure’s posture, suggested by the positioning of the hands and the drape of the dress, hints at poise and dignity, even through the radical transformation of form typical of Cubism. Overall, “Femme Assise, Robe Bleue” encapsulates the innovative spirit of early 20th-century modern art, as it strives to capture the essence rather than the appearance of its subject.

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