The artwork titled “First Landing Jump,” crafted by Robert Rauschenberg in 1961, is an assemblage belonging to the Neo-Dada art movement and categorized under the installation genre.
In this piece, the artist employs a blend of materials and found objects to create a dynamic and textured composition. Central to the assemblage are industrial elements such as a tire, a striped wooden stake, and various worn fabrics, contributing to the artwork’s tactile depth and raw aesthetic. The use of a mechanical component, possibly a wheel or cog, adds an element of industrial machinery to the piece. The arrangement of these disparate items into a cohesive whole is characteristic of Rauschenberg’s innovative approach and his interrogation of traditional art forms, embodying the Neo-Dada ethos.