Gardanne (1890) by Paul Cezanne

Gardanne - Paul Cezanne - 1890

Artwork Information

TitleGardanne
ArtistPaul Cezanne
Date1890
Mediumoil,canvas
Dimensions60 x 73 cm
Art MovementPost-Impressionism
Current LocationPrivate Collection

About Gardanne

The artwork titled “Gardanne” was crafted by the renowned Post-Impressionist artist Paul Cézanne in the year 1890. This oil on canvas landscape painting measures 60 by 73 centimeters. Cézanne’s piece represents a shift from the Impressionist movement, embodying the essence of Post-Impressionism in its structured form and brushwork. The painting is not currently on public display as it is part of a private collection.

“Gardanne” showcases a sprawling view of the French countryside, presumably the area around the town of Gardanne where Cézanne spent time painting outdoors. The composition is characterized by its bold, geometric forms and a rich, earthy palette, reflecting the rural terrain. Cézanne has relinquished detailed precision for broad fields of color, conveying the rolling hills and structures with a sense of solidity. Foregrounded is a building that appears to be a farmhouse, its white facade stark against the warmer hues of the landscape. There are additional houses scattered amid the fields and gentle slopes, which are depicted in patches of green, yellow, and orange, indicating agricultural activity.

The brushstrokes manifest a rhythmic quality, suggesting the tactile nature of the terrain, and the sky above the scene is rendered in muted tones, almost blending into the mountains in the background. This interaction between the land and sky underlines the unity of the scene, a testament to Cézanne’s progressive style, which has greatly influenced the direction of modern art. Despite the absence of figures in the painting, “Gardanne” resonates with a human presence, implied by the cultivation of the fields and the existence of the buildings. The artwork stands as a notable example of Cézanne’s exploration of form and color, as well as his unique approach in bridging Impressionism with the burgeoning modernist movements of the 20th century.

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