This artwork is a self-portrait by the artist George Romney, completed in the year 1784. As part of the Rococo art movement, Romney’s self-portrait is an intimate example of his artistic expression. The Rococo period was known for its ornate and decorative qualities, however, Romney’s approach in this work leans towards a more subdued representation that concentrates on the character and personality of the artist.
The artwork presents the artist seated, his body turned slightly towards the viewer with his head looking directly forward, engaging the viewer with a direct and discernible gaze. His attire appears informal, with what seems to be a warm, earth-toned garment that loosely envelops his form, providing a stark contrast against the neutral, unfinished background. Romney’s expression is contemplative and quietly confident, suggesting an air of introspection. The painting has an unfinished quality to it, particularly evident in the loosely defined background and the sketch-like rendering of the lower part of his figure.
The choice of a muted color palette and the gestural brushwork are characteristic of Romney’s artistic style and contribute to the overall sense of immediacy and personal reflection within the portrait. While the artwork exhibits less of the extravagance typically associated with Rococo, it does embody the movement’s emphasis on grace and the subtlety of fine execution.