Haymakers Resting (1891) by Camille Pissarro

Haymakers Resting - Camille Pissarro - 1891

Artwork Information

TitleHaymakers Resting
ArtistCamille Pissarro
Date1891
MediumOil on Canvas
Dimensions65.4 x 81.3 cm
Art MovementNeo-Impressionism
Current LocationMcNay Art Museum, San Antonio, TX, US

About Haymakers Resting

“Haymakers Resting”, an oil on canvas painting by Camille Pissarro created in 1891, exemplifies the Neo-Impressionist movement. This genre painting measures 65.4 x 81.3 cm and is currently housed in the McNay Art Museum located in San Antonio, TX, US. As a scene depicting rural life, the artwork showcases Pissarro’s exploration of light and color through pointillist techniques, characteristic of the period.

The artwork presents a tranquil rural scene where three figures—presumably haymakers given the title—are depicted resting amidst their labor. The placement of these figures in a field suggests the conclusion of arduous work, as they take a moment of repose. The central figure is seated on a mound, engaged in conversation with another who is turned towards her, while the third figure rests on the left, facing away, suggesting a relaxed disengagement from the interaction.

Pissarro’s palette is dappled with light and shade, manifesting as a tapestry of vibrant, stippled hues that create an impression of the scintillating heat of a summer’s day. The brushwork is meticulous and evocative of the Neo-Impressionist style, which emphasized the optical effects of color and the scientific approaches to painting. The peaceful countryside is rendered with muted earth tones, while the haymaker’s attire reflects soft blues that harmonize with the natural setting.

Each figure is portrayed with empathy, their poses and gestures indicating a momentary surrender to the rhythms of the pastoral life. In this depiction of simple rural existence, Pissarro communicates a sense of timelessness and the universality of human experiences tied to nature and work. The artwork is a testament to the artist’s commitment to scenes of rural labor and his ability to evoke both the beauty and ordinariness of everyday life.

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