The artwork titled “Here is the Good Goddess, the Idaean mother of the mountains (plate 15)” was created by artist Odilon Redon in 1896. This piece is executed through the medium of lithography on paper and is part of the series “The Temptation of Saint Anthony.” As a work stemming from the Symbolism movement, it is categorized as a symbolic painting, aiming to convey profound philosophical and spiritual meanings through allegorical content and dream-like imagery.
In the artwork presented, one observes the figure of a woman adorned with a radiating halo, emanating a sense of divinity or spiritual importance. Her gaze is directed downwards, invoking contemplation or introspection. The detailed rendering of her attire and the necklace she wears suggests a cultural or historical significance, possibly alluding to her identity as a deity or revered figure. The technique used in the lithograph creates a variety of textures, with the background consisting of expressive lines that set an ethereal and mysterious atmosphere. The play of light and shadow, along with the softness of the composition, are indicative of the Symbolist desire to venture beyond the visible world into the realm of emotion and the unconscious.