The artwork titled “Hydra-Buddha,” created by Nam June Paik, belongs to the Neo-Dada art movement and is classified as an installation. This piece reflects the distinct characteristics of its genre through its unconventional use of materials and arrangement.
The artwork is organized in a composed yet seemingly chaotic manner, featuring two CRT televisions placed within a space that seems to be filled with a fine granular substance, possibly sand. Within this sandy area, there are two violins lying on the ground, their positions evoking a sense of abandonment or transient performance. Between the televisions and the violins stand a pair of sculpted heads, elevated on poles, that resemble traditional Buddhas. These elements collectively construct a dialogue between technology, traditional artifacts, and an ephemeral medium, embodying Paik’s penchant for blending contemporary and historical motifs.