Hymenaios Disguised as a Woman During an Offering to Priapus (c.1634 – 1638) by Nicolas Poussin

Hymenaios Disguised as a Woman During an Offering to Priapus - Nicolas Poussin - c.1634 - 1638

Artwork Information

TitleHymenaios Disguised as a Woman During an Offering to Priapus
ArtistNicolas Poussin
Datec.1634 - 1638
Dimensions167 x 376 cm
Art MovementClassicism

About Hymenaios Disguised as a Woman During an Offering to Priapus

The artwork titled “Hymenaios Disguised as a Woman During an Offering to Priapus” is a creation of Nicolas Poussin, a renowned artist associated with the Classicism art movement. Painted circa 1634 to 1638, this mythological painting measures approximately 167 by 376 centimeters. It showcases Poussin’s adherence to the classical tenets of harmony, balance, and restraint as seen through his subject matter and execution.

In the artwork, we observe a complex and lively scene rooted in mythological narrative. The composition showcases a group of figures enacting what appears to be a ritual or celebration. Central to the painting is a character who is believed to be Hymenaios, the god associated with marriage ceremonies, disguised as a woman. This figure is engaging in an offering to Priapus, the rustic god of fertility and gardens often depicted with exaggerated masculine attributes.

The figures are elegantly draped in classical garb, with their garments flowing gracefully, adding to the dynamism of the scene. The coloring is vibrant yet balanced, with blues and ochres predominate, setting off the flesh tones of the figures and contributing to the classical feel of the work. The background features a darkened forest with architectural elements, including a structure that frames the central figures, possibly an altar or temple space intended for the ritual being performed.

The expressions and postures of the participants vary, with some faces turned towards the viewer, while others are absorbed in their actions, contributing to a narrative that seems both ceremonial and full of mirth. On the left, a figure kneels, tending to a collection of flowers that possibly form part of the offering. Overall, the artwork conveys both the formality of religious or mythological observance and the spontaneous joy of a communal celebration, encapsulating classical ideals of beauty and harmony.

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