Carlo Carra was a key figure in the Interventionist Demonstration that took place in 1914. The demonstration involved artists and intellectuals who were advocating for Italy to join World War I on the side of the Allied Forces.
Carra, along with other artists such as Umberto Boccioni and Giuseppe Pellizza da Volpedo, believed that intervention would help Italy regain its national identity and promote modernization through war. They argued that this would also provide a platform for Italian art to be recognized on an international level.
The demonstration took place in Milan and was marked by heated debates between supporters of intervention and anti-war activists. It eventually led to Italy joining the war effort. However, after experiencing the horrors of war, Carra turned towards a more pacifist stance in his art, depicting scenes of destruction and despair.
Overall, Carlo Carra’s involvement in the Interventionist Demonstration highlights the complex relationship between art and politics during a time of great social upheaval. His artistic evolution serves as a reflection of his shifting beliefs about war and its impact on society.
