Isaac Rejecting Esau (c. 1288-1292) by Giotto

Isaac Rejecting Esau - Giotto - c.1290

Artwork Information

TitleIsaac Rejecting Esau
ArtistGiotto
Datec.1290
Mediumfresco
Dimensions300cm x 300 cm
Art MovementProto Renaissance
Current LocationBasilica of Saint Francis of Assisi, Assisi, Italy

About Isaac Rejecting Esau

The artwork titled “Isaac Rejecting Esau” is a fresco attributed to the artist Giotto, dating from around 1290. It is a significant piece within the Proto Renaissance art movement and falls under the genre of religious painting. The artwork forms part of the “Scenes from the Old Testament” series and measures approximately 300 cm by 300 cm. It is currently located in the Basilica of Saint Francis of Assisi, in Assisi, Italy, contributing to the rich collection of medieval art within this famous religious site.

The fresco depicts a biblical scene from the Old Testament, capturing the moment Isaac, who is shown confined to his bed, rejects his son Esau. Isaac is portrayed as an elderly, bearded figure, lying down and gesturing towards Esau. The composition suggests a narrative unfolding, where Esau stands before Isaac, evidently in a state of entreaty or dialogue, as indicated by his raised hands. A woman, speculated to be Rebecca, is present in the background, observing the interaction. The woman’s demure pose and clasped hands suggest her emotional investment in the outcome of the exchange.

In accordance with the art historical context, the figures are adorned in garments and situated in an architectural setting that reflect the period’s artistic conventions rather than a historically accurate representation of the biblical era. The facial expressions and gestures convey the emotional gravity of the scene, a characteristic approach Giotto is renowned for, marking a departure from the more stylized figures of Byzantine art that preceded the Proto Renaissance period. Despite the damage sustained over the centuries, evident in the patchy areas where fresco has come away, the artwork retains a powerful visual narrative. Overall, the fresco serves as an important example of Giotto’s contribution to the narrative realism that would come to define Renaissance art.

Other Artwork from Giotto

More Proto Renaissance Artwork

Scroll to Top