Jean-Louis Provost, seated and resting his left arm on the back of a chair by Jean Auguste Dominique Ingres

Jean-Louis Provost, seated and resting his left arm on the back of a chair - Jean Auguste Dominique Ingres -

Artwork Information

TitleJean-Louis Provost, seated and resting his left arm on the back of a chair
ArtistJean Auguste Dominique Ingres
Art MovementNeoclassicism
Current LocationPrivate Collection

About Jean-Louis Provost, seated and resting his left arm on the back of a chair

The artwork titled “Jean-Louis Provost, seated and resting his left arm on the back of a chair” is a portrait by the artist Jean Auguste Dominique Ingres, who is associated with the Neoclassicism movement. This genre of the artwork vividly captures the likeness of an individual in a portrait form. Currently, the artwork is held within a private collection and it exemplifies the characteristics of Neoclassicism.

Examining the artwork further, one can observe a young man depicted with a delicate and introspective demeanor. The sitter’s gaze is slightly averted, creating a sense of contemplation or subtle engagement beyond the confines of the portrait itself. Ingres’s precise draftsmanship is evident in the clean lines and the careful rendering of the sitter’s features, from the contours of the face to the fine texture of the hair. The figure’s attire, notably the cravat and coat, is portrayed with minimal yet discerning strokes, suggesting the fine fabrics without the necessity of heavy detail.

One may note the artwork’s unfinished quality, visible in the loosely sketched areas such as the sitter’s right shoulder and the chair’s outline. This attribute contributes to the focus being centralized on the sitter’s face and the upper torso, which are more finely delineated. The economy of line and the selective detail are hallmarks of Ingres’s virtuosic ability.

This portrait’s simplicity and understated elegance align with the principles of Neoclassicism, which often embraced a return to classical ideals of beauty, proportion, and harmony. Ingres, a leading figure of the movement, demonstrates his mastery in capturing the essence of his subjects with both restraint and depth.

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