Gerda Wegener’s illustration “Journal Des Dames Et Des Modes, Costumes Parisiens, 1914, No. 162: Robe De Gabardine,” created in 1914, presents an exemplification of the Art Nouveau movement, which is known for its modern, stylized forms and decorative motifs. This particular artwork falls under the genre of illustration and was presumably meant to reflect contemporary fashion trends of the early 20th century Parisian society.
The artwork depicts a poised female figure lounging elegantly on what appears to be a chaise longue. Her attire consists of a fashionable robe de gabardine, intricately embroidered by hand, which suggests not only a certain social status but also an appreciation for refined craftsmanship. She wears a wide-brimmed bonnet adorned with a large feather, emphasizing her graceful demeanor. Her posture is relaxed yet sophisticated, with one leg crossed over the other and a fan held in her left hand, mirroring the leisurely pursuits and proprieties of the time.
In this monochromatic representation, the outlines are confidently and delicately drawn, capturing the intricacies of the robe and the serenity of the subject. The background is minimal, allowing the viewer to focus on the finesse of the fashion and the tranquil poise of the woman. The artwork reflects the ethos of its era, where fashion and art intertwined to create images that both documented and idealized the prevailing styles and attitudes.
