The artwork, titled “La Grande Roue Orthochromatique…” by Max Ernst, dates back to 1919 and was created in Cologne, Germany. It is a symbolic painting belonging to the Dada art movement, rendered in gouache on paper. The composition displays an intricate and abstract arrangement of geometric forms and mechanical elements.
In the artwork, various objects of mechanical and geometric nature are meticulously juxtaposed. Prominent is a large circular object, possibly resembling a wheel or dial, with detailed gradations and markings. Alongside, abstract forms assembled in vertical and angular configurations dominate the scene. These shapes are rich in both color and texture, blending structural solidity with whimsical assembly. Each element is distinct, yet harmoniously contributes to the overall symbolic and enigmatic character of the artwork, embodying the quintessential Dadaist rebellion against conventional artistic norms.
