The artwork “La Maja con Bandolina,” purportedly by Pablo Picasso, is an expressionist oil painting dated 1907, with its creation placed in Rome, Italy. Measuring 45 cm by 34 cm, this portrait belongs to a private collection. As an expressionist piece, the artwork would typically convey subjective emotions and perspectives, emphasizing the psychological experience over realistic representation.
Upon examining the artwork, one observes a figure depicted in profile. The subject, presumably a woman based on the appearance, is seated and seems to be playing a bandurria, a stringed instrument similar to a mandolin, as indicated by the title. The subject’s attire presents an intricate floral pattern, indicative of rich texture and vibrant hues, which likely add a tactile quality to the portrait. Her costume is adorned with floral designs, suggesting a connection to cultural or traditional dress.
The sitter’s posture is relaxed yet focused, capturing a moment of contemplation or engagement with the music. The fact that the subject’s face is turned away from the viewer adds an air of mystery and introspection. In the composition, one can discern a simplified background, which sets a neutral stage for the figure, ensuring that the viewer’s attention remains on the subject and the melodic instrument she holds.
Artistically, the facial features and the delicate use of color shades create depth, despite the simplified forms characteristic of expressionism. The inclusion of the signature on the lower right suggests authenticity, although without verification from art historians or experts, the attribution should be viewed with caution. Overall, the composition conveys a sense of serene focus and cultural richness, encapsulated within the expressionist style of the early 20th century.
