Rogier Van Der Weyden was a significant artist of the Flemish Northern Renaissance, and his oil-on-oak panel painting, Lady Wearing A Gauze Headdress, is one of his notable female portraits. Completed around 1460, the sitter wears a gauzy white headdress over a dark dress with a v-shaped neckline trimmed in black. Her hands are clasped in prayer while she presents an introspective emotion portrayed by down-turned eyes and nervously pressed fingers.
The composition is built from geometric shapes that form the lines of her veil, neckline, face, and arms. The delicate lashes and gold filigree decorating her belt seem very realistic. Rogier van der Weyden’s female portraits generally show the same humble expression with hands clasped tightly in prayer.
Van der Weyden was highly successful and internationally famous during his lifetime. His artwork demonstrates meticulous attention to detail and emotional depth that sets it apart from other works of its time. The Lady Wearing A Gauze Headdress serves as an excellent example of van der Weydon’s ability to create stunningly lifelike works that capture not only physical appearances but also their characters’ inner feelings.