Ludovic Halevy Speaking with Madame Cardinal (c.1876 – c.1877) by Edgar Degas

Ludovic Halevy Speaking with Madame Cardinal - Edgar Degas - c.1876 - c.1877

Artwork Information

TitleLudovic Halevy Speaking with Madame Cardinal
ArtistEdgar Degas
Datec.1876 - c.1877
Dimensions26.7 x 17.5 cm
Art MovementImpressionism
Current LocationPrivate Collection

About Ludovic Halevy Speaking with Madame Cardinal

The artwork titled “Ludovic Halevy Speaking with Madame Cardinal” by Edgar Degas dates from around 1876 to 1877. This portrait is executed in pastel, a medium known for its vibrant colors and texture that was favored by many Impressionist artists, including Degas. Measuring 26.7 by 17.5 cm, this piece is a representation of the Impressionism art movement, known for its focus on capturing light and movement. Currently, this artwork belongs to a private collection, which means it is in the possession of an individual or entity rather than being on public display in a museum or gallery.

In the artwork, two figures are represented in conversation. The male figure, Ludovic Halevy, is dressed in formal attire, complete with a dark suit and top hat, engaging with the female figure, known as Madame Cardinal. He faces her and appears to be in mid-dialogue, suggesting a sense of immediacy and interaction between the characters. Madame Cardinal’s back is turned to the viewer, draped in a bright red garment, rich in color and varying shades, which captures the essence of her attire and hints at her spirited character.

Like many of Degas’ works, the composition captures a candid moment, imbued with a sense of realism that is typical of the Impressionist movement. His skillful use of pastel not only brings the subjects to life with a few deft strokes but also allows the viewer to sense the material quality of the clothing and the atmosphere of the moment. The background is roughly sketched, allowing the focus to remain on the subjects and their interaction. Degas’s signature is discreetly placed at the bottom right, hinting at his presence without overpowering the scene. The overall impression is one of a fleeting encounter, captured with spontaneity and a keen eye for the subtleties of social exchange.

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