The artwork titled “M. Ray,” crafted by artist Lenore Tawney in 1986, belongs to the Post-Minimalism movement and is classified under the figurative genre.
The artwork exemplifies a collage of various elements, harmoniously arranged to create a complex and engaging composition. Dominated by shades of blue and juxtaposed with snippets of black and white imagery, it includes fragments of photographs, textual elements, and architectural drawings. The inclusion of diverse visual components, such as arches, diagrams, and printed text, suggests a meticulous assembly of pieces to evoke fragmented narratives and layered meanings. This intricate medley, framed simply yet elegantly, demonstrates Tawney’s adeptness at infusing minimalistic tendencies with rich, figurative content, thus embodying the essence of Post-Minimalism.
