Madame Cezanne Leaning on a Table (c.1873) by Paul Cezanne

Madame Cezanne Leaning on a Table - Paul Cezanne - c.1873

Artwork Information

TitleMadame Cezanne Leaning on a Table
ArtistPaul Cezanne
Datec.1873
Mediumoil,canvas
Dimensions46 x 38 cm
Art MovementImpressionism
Current LocationPrivate Collection

About Madame Cezanne Leaning on a Table

The artwork, “Madame Cezanne Leaning on a Table,” created circa 1873 by the renowned artist Paul Cezanne, is an oil on canvas painting. Emblematic of the Impressionist movement, this portrait measures 46 by 38 centimeters. Currently housed in a private collection, this piece vividly captures a figure in a domestic setting.

In the artwork, the subject, presumably Madame Cezanne, is depicted seated and leaning on a table, conveying a moment of repose or contemplation. The composition is balanced yet intimate, with the subject positioned slightly off-center and occupying a substantial portion of the canvas. Cezanne’s brushwork is visible and energetic, characteristic of the Impressionist technique, which gives the painting a sense of immediacy and vibrancy.

The figure is dressed in a grey-blue garment with a pink scarf loosely tied around the neck, and dark ribbons holding her hair in a bun. The color palette is restrained yet expressive, with subtle shifts in hue creating volume and depth. The background is composed of muted blues and off-whites, hinting at an interior space without explicit detail. Cezanne’s application of paint creates texture and suggests the play of light on the surfaces.

Emotion is conveyed through the subject’s facial expression and body language. Her face is rendered with a blend of softness and definition, suggesting a quiet pensiveness, while her hands resting on her lap and the slight tilt of her head add to the contemplative mood.

This work is a fine example of Cezanne’s exploration of portraiture and the human form, a subject to which he would return throughout his career. It reflects the artist’s commitment to capturing the essence of the scene before him, a cornerstone of the Impressionist movement, while also hinting at the Post-Impressionistic tendencies that he would later develop further.

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