Madame Louis François Godinot, born Victoire Pauline Thiolliere de L’Isle by Jean Auguste Dominique Ingres

Madame Louis François Godinot, born Victoire Pauline Thiolliere de L'Isle - Jean Auguste Dominique Ingres -

Artwork Information

TitleMadame Louis François Godinot, born Victoire Pauline Thiolliere de L'Isle
ArtistJean Auguste Dominique Ingres
Art MovementNeoclassicism
Current LocationPrivate Collection

About Madame Louis François Godinot, born Victoire Pauline Thiolliere de L'Isle

The artwork entitled “Madame Louis François Godinot, born Victoire Pauline Thiolliere de L’Isle” is a portrait rendered by the celebrated artist Jean Auguste Dominique Ingres, associated with the Neoclassicism movement. This piece reflects the genre of portraiture, a domain in which Ingres was particularly adept, capturing the essence and stature of his subjects with remarkable finesse. The artwork, possessing significant historical and artistic value, resides within a private collection and is therefore not on public display.

In the artwork, the subject, Madame Louis François Godinot, is depicted with an aura of genteel refinement characteristic of Neoclassical portraiture. Her visage exudes a calm and placid demeanor, with soft features delicately drawn to capture both her physical likeness and the subtleties of her character. Her hair is styled in an elaborate coiffure of the period, with curls framing her face, suggesting both her social stature and the fashion of the time.

Madame Godinot’s attire is richly detailed, indicative of her position in society and the importance of costume in portraiture to convey status. The artist has meticulously depicted the textures and folds of her garments, with the ruffles and lace at the collar and cuffs adding a layer of complexity to the composition. Notably, her crossed arms and the subtle interplay of light and shadow add depth to the artwork, revealing Ingres’s mastery in conveying form and volume through the use of graphite.

Ingres’s skillful use of line and shading is particularly evident in the rendering of the fabrics, creating a sense of realism that is almost tangible, despite the monochromatic palette. The finesse of the portrait suggests a level of intimacy between the artist and his subject, a testament to Ingres’s ability to infuse personality into his artwork. It remains a noteworthy example of Ingres’s portraiture, encapsulating the elegance and poise of Neoclassical art.

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