Madonna Aldobrandini (1530) by Titian

Madonna Aldobrandini - Titian - 1530

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Artwork Information

TitleMadonna Aldobrandini
Dimensions101 x 142 cm
Art MovementHigh Renaissance
Current LocationNational Gallery, London, UK

About Madonna Aldobrandini

The artwork titled “Madonna Aldobrandini” is attributed to the acclaimed artist Titian and dates back to 1530. This oil on canvas creation embodies the High Renaissance art movement, renowned for its focus on idealized beauty, harmonious composition, and the revival of classical themes. Measuring approximately 101 by 142 centimeters, this religious painting presently graces the collection of the National Gallery in London, United Kingdom.

“Madonna Aldobrandini” is a religious scene replete with sacred symbolism and idyllic natural beauty. Central to the composition is the Virgin Mary, robed in an intense blue, her gaze demure and contemplative as she supports the Christ Child, who lies across her lap. The Christ Child, in a posture of serene repose, is tenderly embraced by a young girl, presumably representing Saint Catherine, who reverently places a hand on his chest, an act likely symbolic of devotion and recognition of his divine nature.

To the left, a young John the Baptist kneels in the wilderness, identifiable by his rustic attire and proximity to a lamb, which traditionally symbolizes his future role in proclaiming Jesus as the Lamb of God. He offers fruits to the trio, an offering that may denote the fruits of salvation or the Earth’s bounty, blessed by Christ’s presence. Above this pastoral scene, an angel joyously flutters through the heavens, lending an ethereal and divine presence to the artwork.

The landscape stretches out behind the sacred figures, expansive and serene, with a peaceful countryside dotted with cattle and shepherds easing into the distance under a broad sky. This setting marries the celestial with the terrestrial, as the distant mountains and verdant trees create a harmonious backdrop that reinforces the painting’s sacrosanct theme. The use of light, color, and the figures’ graceful poses attests to the High Renaissance ideals of beauty and harmony, encapsulating the era’s aesthetic aspirations and religious fervor.

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