Madonna and Child with Sts Catherine and Dominic and a Donor (1512 – 1516) by Titian

Madonna and Child with Sts Catherine and Dominic and a Donor - Titian - 1512 - 1516

Artwork Information

TitleMadonna and Child with Sts Catherine and Dominic and a Donor
ArtistTitian
Date1512 - 1516
Mediumoil,canvas
Dimensions138 x 185 cm
Art MovementHigh Renaissance

About Madonna and Child with Sts Catherine and Dominic and a Donor

The artwork “Madonna and Child with Sts Catherine and Dominic and a Donor,” created between 1512 and 1516, is an oil on canvas painting attributed to Titian, a renowned artist of the High Renaissance. The painting measures 138 by 185 centimeters and falls within the genre of religious painting. The artwork embodies the devotional and artistic vigor of the Renaissance, showcasing the period’s characteristic fusion of humanism with spirituality.

The composition of the artwork presents the Virgin Mary seated centrally, garbed in a rich red robe that cascades over her knees, with a deep blue mantle draped across her lap. She holds the Christ Child tenderly with her left hand, while the Child gazes out of the painting with a contemplative expression. To the left, a figure identified as Saint Catherine is on bended knee, gazing up toward the Madonna and Child. Saint Catherine’s gentle visage and flowing robes provide a counterpoint to the divine figures she reveres. To the right, the figures of Saint Dominic and a kneeling donor embody pious adoration; their downturned eyes and clasped hands bespeak an earnest prayer or conversation.

The background of the artwork features a dichotomy of scenes. On the left, a somber landscape offers repose and suggests a contemplation zone unto itself. On the right, where the donor and Saint Dominic are placed, the landscape becomes brighter, echoing perhaps the spiritual enlightenment that comes with devotion.”]));
The mastery of Titian is evident in the dramatic use of light, the exquisite detail, and the interplay between the earthly and the spiritual realms, all hallmarks of High Renaissance art. The composition balances the human interactions on the earthly plane with the realm of the sacred, showcasing the harmony between the divine and the mortal characteristic of the period’s religious artworks.

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