“Madonna with Child,” a notable sculpture attributed to Filippo Brunelleschi, originates from circa 1402 in Italy. Characteristic of the Early Renaissance art movement, the artwork portrays a serene depiction of the Madonna cradling the Christ Child. The formal genre it represents is sculpture.
The artwork showcases a tender and intimate scene featuring the Madonna, who is delicately holding the Child with a gentle and serene expression. Both figures exhibit a sense of calm and repose, with the Madonna’s inclined head and the soft, embracing posture of the Child suggesting a profound maternal bond. The drapery of the Madonna’s garment showcases Brunelleschi’s skill in rendering texture and form, reflecting the transition from the medieval style to the more naturalistic approach of the Renaissance. The sculptor’s attention to detail and use of fine lines in the faces and hands impart a lifelike quality to the figures, amplifying the sacred and tender nature of the scene. This artwork exemplifies the early stages of Renaissance art, indicating a shift towards humanism and naturalism in religious representations.
