The Magdalen is a painting that is part of the Braque Family Triptych by Rogier van der Weyden, which dates back to around 1450. The altarpiece was intended for private use by Jean Braque and his wife Catherine de Brabant. On the exterior of the triptych are the coats of arms of both families. The Magdalen depicts Saint Mary Magdalene sitting on a bench with her eyes lowered, symbolizing her contemplation and devotion.
Rogier van der Weyden’s technique in this right wing painting is characterized by its intricate details, especially in the draperies and jewelry depicted on Saint Mary’s clothing. The colors used in this painting are subdued, giving it an overall serene atmosphere consistent with its religious subject matter.
It’s important to note that The Magdalen Reading is another painting by Rogier van der Weyden that depicts Mary Magdalene as well. It’s located at the National Gallery in London and forms part of a larger altarpiece. This shows how frequently the story of Mary Magdalene has been represented in Christian art over time.
Overall, The Magdalen serves as an excellent example of Rogier van der Weyden’s skillful use of color schemes and attention to even minute details while executing sacred art pieces designed for private devotion within established households during this period in history.