The artwork titled “Mane, thecel, phares,” created by Salvador Dali, dates back to the period of 1964 to 1967. This piece is executed in gouache and is part of “The Biblia Sacra” series. The work resonates with themes derived from Abstract Expressionism and Symbolism, classifying it within the genre of religious painting.
“Mane, thecel, phares” presents an abstract composition characterized by Dali’s distinctive use of symbolic imagery and dramatic contrasts of color and form. The central feature of the artwork appears to be a fluid, amorphous black shape adorned with what could be perceived as a clock face without hands, imbuing the piece with a sense of temporality and impermanence. Above this figure, a vibrant streak of red may suggest some form of ethereal intervention or divine presence. Surrounding elements are rendered in a lighter palette, providing a stark juxtaposition to the predominantly dark tones. Dali’s unique approach to religious imagery through abstraction allows for multiple interpretations, inviting viewers to explore the interplay between the tangible and the surreal. Notably, across the artwork, different symbols such as alphabet-like characters and obscure shapes add to the enigmatic quality of the work, echoing the cryptic message the title refers to from the biblical narrative wherein the writing on the wall foretells the end of the Babylonian kingdom. Dali’s signature at the bottom right corner confirms the authenticity of this complex and thought-provoking piece.
