“Manorama,” a sculpture created by Lynda Benglis in 1976, belongs to the Minimalism art movement. The artwork is a remarkable example of sculptural minimalism, embodying the raw essence of form and material with meticulous precision.
In this sculpture, Benglis employs an unorthodox use of material to challenge conventional sculptural aesthetics. The artwork consists of a knotted form that appears both pliant and solid, exhibiting a sense of organic fluidity frozen in a moment of dynamic tension. Its golden hue enhances the abstract form, inviting contemplation on the juxtaposition between fluidity and rigidity. The interplay between the bold, minimalist design and the tactile surface serves to engage viewers, provoking an introspective response to the elemental aspects of space, form, and material.
