Map of the Northern Sky with representations of the constellations, decorated with (clockwise) the astronomers Aratus Cilix, Ptolemaeus Aegyptus, Azophi Arabus (Addorrhaman al Sufi) and M. Manlius Romanus, designed by the Nuremberg mathematician and astronomer Konrad Heinfogel (1515) by Albrecht Durer

Map of the Northern Sky with representations of the constellations, decorated with (clockwise) the astronomers Aratus Cilix, Ptolemaeus Aegyptus, Azophi Arabus (Addorrhaman al Sufi) and M. Manlius Romanus, designed by the Nuremberg mathematician and astronomer Konrad Heinfogel - Albrecht Durer - 1515

Artwork Information

TitleMap of the Northern Sky with representations of the constellations, decorated with (clockwise) the astronomers Aratus Cilix, Ptolemaeus Aegyptus, Azophi Arabus (Addorrhaman al Sufi) and M. Manlius Romanus, designed by the Nuremberg mathematician and astronomer Konrad Heinfogel
ArtistAlbrecht Durer
Date1515
Mediumwoodcut
Art MovementNorthern Renaissance
Current LocationPrivate Collection

About Map of the Northern Sky with representations of the constellations, decorated with (clockwise) the astronomers Aratus Cilix, Ptolemaeus Aegyptus, Azophi Arabus (Addorrhaman al Sufi) and M. Manlius Romanus, designed by the Nuremberg mathematician and astronomer Konrad Heinfogel

The artwork is a woodcut titled “Map of the Northern Sky with representations of the constellations” created by Albrecht Dürer in 1515. Designed by the Nuremberg mathematician and astronomer Konrad Heinfogel, it depicts the constellations of the northern hemisphere. The piece is further embellished with representations of four notable astronomers: Aratus Cilix, Ptolemaeus Aegyptus, Azophi Arabus (Al-Sufi), and M. Manlius Romanus, each positioned around the border in a clockwise fashion. A product of the Northern Renaissance, this design resides in a private collection and encapsulates the era’s intersection of art, science, and exploration.

The artwork is characterized by intricate detail typical of the woodcut medium and the Northern Renaissance period. The constellations are anthropomorphized and zoomorphized, creatively interpreted and intertwined with one another to form a compelling and detailed celestial map. The bordering astronomers, positioned at each corner, lend an aspect of gravitas and human presence. Each astronomer is depicted in period-appropriate attire, engaged in the act of studying the skies or documenting observations, thus emphasizing the scholarly nature of the endeavor. The artwork serves as both an educational tool and a masterpiece of design, reflecting the rich tapestry of cosmological knowledge and artistic skill of its time.

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