“Metamorphosis III,” a work by M.C. Escher dating from 1967 to 1968, exemplifies the tessellation technique within the Op Art movement. As part of the “Metamorphosis” series, the artwork is characterized by its seamless transitions and transformations of shapes and patterns that challenge the viewer’s perceptions.
The artwork showcases a sophisticated array of geometric and organic shapes that evolve across the composition. Starting with a section of black and white geometric patterns, possibly depicting a cityscape, the shapes gradually morph into a more organic form, reminiscent of stars and flowers. In the central portion, Escher intricately weaves patterns that appear to be bee-like creatures amongst a backdrop of floral motifs.
As the shapes continue to transform, they seamlessly become a field of majestic horses in varying poses and perspectives. Their forms are stylized yet immediately recognizable, demonstrating Escher’s masterful ability to blend the realms of mathematics and art. This tessellation continues until the horses too begin to evolve once more, suggesting an unending cycle of change and metamorphosis.
Each part of the artwork flows into the next, symbolizing the eternal process of change and emphasizing the interconnectivity of different forms and creatures. Through this interplay of patterns and transitions, “Metamorphosis III” engages the viewer in a visual experience that transcends the ordinary, exploring the liminal spaces between art, science, and the imagination.
