Model on the Couch (1924 – 1928) by Edvard Munch

Model on the Couch - Edvard Munch - 1924 - 1928

Artwork Information

TitleModel on the Couch
ArtistEdvard Munch
Date1924 - 1928
Mediumoil,canvas
Dimensions136.5 x 115.5 cm
Art MovementExpressionism
Current LocationMunch Museum, Oslo, Norway

About Model on the Couch

The artwork titled “Model on the Couch” is a creation by Edvard Munch, a renowned artist whose work is pivotal to the Expressionist movement. Painted during the period of 1924 to 1928, this composition is executed in oil on canvas, measuring 136.5 by 115.5 centimeters. It falls under the category of genre painting, revealing a scene from everyday life with an emotional and expressive twist characteristic of Munch’s style. This artwork is housed within the Munch Museum in Oslo, Norway, where it continues to captivate audiences with its vibrant narrative and intense psychological depth.

In “Model on the Couch,” the viewer encounters a figure of a woman seated on a sofa, her pose and demeanor contribute to the overall emotional timbre of the artwork. Munch’s use of vivid colors and bold, sweeping brushstrokes lends the painting a sense of movement and immediacy. The woman is depicted with a contemplative expression, suggesting an inner world of thought or emotion that is introspective or possibly laden with melancholia. Her attire is simple, resonating with the domestic setting around her. Munch’s technique accentuates the contours and forms within the scene, allowing the viewer’s eye to move across the textural elements of the couch and the room’s interior.

The environment surrounding the model is filled with items such as books and artwork, which provide contextual clues to the setting and perhaps the nature of the model herself. The background and furnishings feature strong vertical and horizontal lines that contrast with the organic shapes and flowing lines of the woman’s figure and the drapery of her clothing. Munch’s mastery in harmonizing these elements within the frame showcases his ability to envelop the viewer in the psychological landscape he has painted. The juxtaposition of the woman’s calm appearance with the energetic brushwork and color palette echoes the dichotomy often found in Munch’s work between the external world and the turbulent inner emotions.

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