The artwork titled “Mojotech” by artist Betye Saar created in 1987 is a part of the postcolonial art movement and is classified as an installation. This piece reflects Saar’s exploration of themes such as technology, ethnicity, and history through a multidimensional art form.
“Mojotech” is an installation that showcases a variety of colors and collage-like elements spread over a horizontal display. At the center is a large, square piece featuring what appears to be a metallic or reflective surface with patterns and possibly small objects affixed to it, surrounded by a rusty reddish-brown field. Flanking this central piece are long panels in deep blue with motifs, symbols, and small images scattered throughout. The detailed elements could suggest narratives or commentaries, which are characteristic of Saar’s work that often addresses social issues, cultural identity, and the African diaspora. The entire arrangement is set on a grey platform, suggesting a stage or altar-like presentation, inviting the viewer to engage with the layers of meaning within the work.
