Mountain Landscape at Saint Thomas, Antilles (unfinished) (c.1854 – c.1855) by Camille Pissarro

Mountain Landscape at Saint Thomas, Antilles (unfinished) - Camille Pissarro - c.1854 - c.1855

Artwork Information

TitleMountain Landscape at Saint Thomas, Antilles (unfinished)
ArtistCamille Pissarro
Datec.1854 - c.1855
Dimensions27.2 x 34.9 cm
Art MovementRealism
Current LocationPrivate Collection

About Mountain Landscape at Saint Thomas, Antilles (unfinished)

The artwork titled “Mountain Landscape at Saint Thomas, Antilles (unfinished)” is a creation by the esteemed artist Camille Pissarro, dating back to the period circa 1854 to 1855. Executed in oil on canvas, it is a testament to the Realism art movement. The piece measures 27.2 by 34.9 centimeters and falls within the landscape genre. Currently, this artwork is held in a private collection.

In the artwork, Camille Pissarro depicts a mountainous vista possibly observed from an elevated vantage point. The composition features expansive skies filled with dynamic cloud formations, dominating the upper half of the canvas. These clouds reflect a variety of tones suggesting the interplay of sunlight and shadow. Below, one can appreciate a series of rolling hills and mountain ranges that fade into the distance, creating a sense of depth.

The foreground is characterized by lush greenery, with trees and vegetation brushing against the edges of the canvas. A partial view of white architectural structures suggests human habitation nestled within this natural setting, reinforcing the theme of coexistence between mankind and the environment typical of Pissarro’s discerning eye.

The unfinished nature of the piece is particularly palpable in certain areas where the canvas remains exposed, offering a rare glimpse into Pissarro’s artistic process. This incompleteness adds to the charm of the artwork, inviting onlookers to ponder the might-have-been final strokes.

Indeed, the artwork embodies the realistic representation of scenes without idealization, which is characteristic of the Realism movement. Pissarro’s attention to the truthful depiction of nature and the landscape’s clear and palpable forms is clear, despite the work’s unfinished state.

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