The artwork titled “Mulier e latere viri” is a creation by Salvador Dali, which he produced between the years 1964 and 1967. Executed in gouache, the artwork is a part of “The Biblia Sacra” series and is categorized within the genres of religious painting, synthesizing elements of Expressionism and Symbolism.
The artwork presents an amalgamation of fluid forms and intense coloration. Dominant hues of purple, brown, and red establish a dramatic and expressive scene, which is characteristic of Dali’s surreal and symbolic approach. The central figure bears a resemblance to a classical portrayal of Christ crucified, set against a backdrop that combines both abstract and figurative elements. Surrounding this central figure, other shapes and forms hint at more figurative representations, possibly alluding to biblical narratives or characters. However, the precise details are rendered in a way that seems to intentionally blur the lines between the symbolic and the literal. The use of shadow and light adds to the depth of the composition, enhancing its emotional resonance.
Indeed, the painting’s title, alluding to the biblical concept of woman being made from the side of man, suggests that Dali intended to invoke reflection on themes of creation and origin, particularly within the context of Judeo-Christian theology. The blending of various elements into a coherent whole demonstrates Dali’s talent for infusing his religious subject matter with layers of meaning, prompted by his distinctive vision and mastery of the medium.
