N Watercolor 1. (The Heart Goes from Sugar to Coffee) (1919) by Kurt Schwitters

N Watercolor 1. (The Heart Goes from Sugar to Coffee) - Kurt Schwitters - 1919

Artwork Information

TitleN Watercolor 1. (The Heart Goes from Sugar to Coffee)
ArtistKurt Schwitters
Date1919
Mediumwatercolor
Art MovementDada
Current LocationMuseum of Modern Art (MoMA), New York City, NY, US

About N Watercolor 1. (The Heart Goes from Sugar to Coffee)

The artwork entitled “N Watercolor 1. (The Heart Goes from Sugar to Coffee)” is a creation by the artist Kurt Schwitters dating back to 1919. As a watercolor, this piece is part of the Dada art movement and falls within the figurative genre. The artwork is housed in the esteemed collection of the Museum of Modern Art (MoMA) in New York City, New York, United States.

As one engages with the artwork, one can observe a complex interplay of shapes, lines, and colors. The composition is dynamic, characterized by a collage-like assembly of elements that seem to float and intersect on the paper’s surface. A central feature within the work appears to be a stylized depiction of a heart, its crimson hue poignant amidst muted tones. This small yet significant detail may well resonate with the title’s allusion to an emotional journey from sweetness to bitter complexity.

Within the contours of the piece, abstracted figures and forms can be discerned, with various geometric shapes, including triangles and circles, contributing to a fragmented sense of narrative. The colors are layered and blended with care, evoking depth and movement in the piece. The integration of textural details alongside pencil lines creates a tactile quality that suggests experimentation with material and form, a characteristic tendency within the Dada movement.

Kurt Schwitters’ signature, denoted by “KS” followed by a numerical marking, is visibly inscribed on the artwork, anchoring the composition and lending it the artist’s unmistakable imprint. The overall effect of the artwork is one that challenges conventional perceptions, inviting the viewer to navigate a visual language that is as enigmatic as it is evocative, a testament to the revolutionary spirit of the Dadaists.

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