“Richard Serra’s 1989 artwork entitled ‘No Mandatory Patriotism’ is a striking example of Minimalism within the abstract genre. The piece showcases Serra’s preference for elementary shapes and his minimalist aesthetic.”
The artwork features two predominant black rectangular forms, positioned side by side, occupying most of the canvas. The juxtaposition of these stark, dark shapes against the white background creates a powerful visual contrast. The black rectangles are outlined by slightly irregular edges, hinting at a hand-drawn or brushed technique. The negative space between the forms and the perimeter concentrates the viewer’s attention on the monochromatic simplicity and compositional balance of the shapes. The overall effect is both direct and contemplative, reflecting the essence of minimalist abstract art.
