The artwork “Noli Me Tangere” by Correggio, dating from around 1534, is an exceptional representation of the High Renaissance. This oil on canvas measures approximately 130 by 103 centimeters and falls within the genre of religious painting. Currently, it is housed in the Museo del Prado in Madrid.
The artwork captures a pivotal moment from Christian scripture, depicting an encounter between Jesus Christ and Mary Magdalene after his resurrection. The title, “Noli Me Tangere,” translates to “Touch Me Not” or “Do Not Hold Me,” a phrase that Jesus is believed to have spoken to Mary when she recognized him.
In the composition, Jesus is shown standing in a contrapposto posture, his body partially draped in a flowing blue garment that accentuates his physical form as well as the ethereal nature of his resurrected state. His right arm is gently raised, indicating his directive for Mary not to touch him. Mary Magdalene is kneeling on the ground, her body inclined towards Jesus, her arms reaching out to him in a motion stopped by his command. Her facial expression is one of awe and longing, clearly conveying her emotional turmoil and the depth of her recognition.
The setting is a tranquil landscape, rich with verdant trees and underbrush, suggestive of a garden or a natural sanctuary. The atmospheric perspective employed by the artist adds depth to the scene, with the play of light creating a soft transition between the figures and the background. This use of light and color is characteristic of Correggio’s work and of the High Renaissance style, which sought to blend naturalism with idealized beauty.
Overall, the artwork stands as a masterful illustration of a religious narrative, imbued with human emotion and rendered in exquisite detail by Correggio, a notable artist of the High Renaissance. The piece’s enduring presence at the Museo del Prado allows it to continue to inspire and engage audiences with its timeless spiritual and artistic significance.
