The artwork titled “Number 17,” created by John McLaughlin in 1966, belongs to the Minimalism art movement. This piece falls within the abstract genre, utilizing a minimalist aesthetic to convey its message.
The artwork is characterized by its simplicity and stark geometrical forms, featuring two adjacent, vertically oriented dark rectangles positioned against a light background. The clean lines and lack of ornamental detail emphasize minimalism, inviting viewers to reflect on the spatial relationships and the balance between form and void. The subtlety and restraint of “Number 17” typify the minimalist ethos, focusing on purity of form and the essence of visual experience.
