Number 2 (1951) by Jackson Pollock

Number 2 - Jackson Pollock - 1951

Artwork Information

TitleNumber 2
ArtistJackson Pollock
Dimensions104.1 x 78.7 cm
Art MovementAbstract Expressionism

About Number 2

The artwork entitled “Number 2” was created by the eminent artist Jackson Pollock in the year 1951. This piece is a distinctive exemplar of Abstract Expressionism, a movement that cherished the freedom of expression and the sublimity of the subconscious. Pollock employs a vibrant fusion of collage and oil on fiberboard, with the incorporation of varied materials such as paper, pebbles, twine, and wire, contributing to a rich, textured surface that spans dimensions of 104.1 by 78.7 cm. With its abstract genre, “Number 2” eludes any direct representation, instead offering a visual experience that is open to individual interpretation.

The artwork pulsates with a dynamic array of colors and materials, dominated by a vivid palette that revolves around a potent yellow. This warm hue is interlaced with splashes and drips of contrastive colors, creating a complex, layered backdrop that engulfs the observer in its depth and intricacy. Pollock’s signature drip and splash techniques are evident, contributing to an appearance of controlled chaos, where every gestural stroke and every flung droplet is a testament to the artist’s physical engagement with his medium.

Textures are as crucial to “Number 2” as are hues and forms. The diverse materials affixed to the fiberboard create a tangible sense of relief and physical presence, making the artwork not just a visual splendor but also an object inviting tactile exploration. Shadow and light play across the surface, accentuated by the interplay of rough and smooth areas, underlining the artwork’s three-dimensional aspect.

Embodying the spirit of the Abstract Expressionist movement, “Number 2” transcends mere aesthetic contemplation. It becomes a field for the projection of emotions and thoughts, a non-representational tableau where the act of creation and the final outcome are inseparably intertwined, offering a window into Pollock’s revolutionary approach to art, which emphasizes the process of making art as much as the finished piece itself.

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