“Number 23,” crafted by John McLaughlin in 1960, is an abstract artwork prominent in the Minimalism art movement. The artwork features two prominent black rectangles, one positioned above the other, with a bold yellow stripe dissecting the top rectangle, creating a striking contrast. The edges of the forms are distinct, set against a pale background, emphasizing the geometric simplicity and austere elegance characteristic of Minimalism.
The composition of the artwork is defined by its rigid lines and geometric forms. The use of black and yellow against a neutral background highlights the minimalist approach, where simplicity, precision, and spatial clarity are paramount. This deliberate arrangement evokes a sense of balance and composure, inviting contemplation on the relationship between form and space. The artwork’s restrained aesthetic and meticulous structuring are exemplary of John McLaughlin’s contribution to the Minimalism movement.
