The artwork “Omnes gentes in valle Iosaphat (Joel 3:2)” was crafted by Salvador Dali between 1964 and 1967. Executed in gouache, a method using opaque watercolors, this piece forms part of “The Biblia Sacra” series. Reflecting Dali’s unique approach to religious themes, the artwork bears the hallmarks of Expressionism and Symbolism, movements known for their emphasis on emotional experience and symbolic content.
The artwork presents a composition that merges chaotic forms and enigmatic figures, set against a sparse background. At the lower portion of the artwork, what appears to be a bull is centrally positioned, dominating the foreground. Above and around this central figure, there are patches of textured browns and tans—possibly signifying an ethereal landscape or celestial bodies. Streaks and splatters suggest movement and disorder, invoking a sense of turmoil or divine intervention.
The symbolism is replete with abstraction, leaving much to the interpretation of the viewer. Delicate lines contrast with the weighty spots, possibly to convey a sense of dichotomy or conflict. The title, referencing a Bible verse from Joel 3:2, suggests a thematic connection with judgment or prophetic vision, which may influence the viewer’s understanding of the chaotic and expressive elements of the artwork.
Dali’s signature at the bottom right anchors the work in his distinctive oeuvre. The piece stands as a testament to Dali’s ability to infuse traditional religious iconography with his characteristic avant-garde sensibilities.
