The artwork under discussion is titled “Orans of Yaroslavl (Great Panagia, Our Lady of the Sign),” attributed to an unknown artist under the collective designation “Orthodox Icons.” It dates from circa 1200-1300 and was rendered using tempera on wood. This piece belongs to the Kyiv school of icon painting and falls within the genre of religious icons, specifically depicting the Virgin Mary, Mother of God. Currently, it is housed in the Tretyakov Gallery in Moscow, Russia.
The artwork is a striking representation of the Virgin Mary in the Orans posture, with her hands raised in a gesture of prayer. The central figure is the Mother of God, adorned with a halo, encapsulating an image of the Christ Child, who also exhibits a halo, symbolizing divinity and sanctity. Mary is depicted with traditional solemnity, her gaze directed forward, evoking a sense of calm and reverence. On either side of her head, two angels are positioned within circular frames, enhancing the spiritual and divine essence of the piece. The background is rendered in a gilded hue, indicative of the heavenly realm, while the intricate detailing of the garments and the careful application of tempera manifest the meticulous craftsmanship characteristic of the Kyiv school of icon painting.
