James McNeill Whistler’s Peacock Room is a stunning example of Gilded Age grandeur. Originally designed to showcase Frederick Richards Leyland’s Chinese blue-and-white porcelain collection, the room reflects the tension between the artist and his patron. Whistler painted two fighting peacocks in the room to represent himself and Leyland, titled “Art and Money: or, The Story …
James Whistler’s painting, “Art and Money: or, The Story of the Room”, shows two fighting peacocks in Leyland’s dining room. The image was meant to represent Whistler and his patron. Whistler and Leyland had a turbulent relationship, which is reflected in the painting. The Peacock Room became a visual testament to Whistler’s passion for defending …
James Whistler’s piece of artwork “The Lime-burner” was created in 1859 through etching and drypoint on paper. The piece focuses on William Jones, a lime-burner at work in his yard, providing an insight into the humble businesses of the era. Whistler uses architecture to frame the scene, presenting a well-balanced composition. Influenced by Charles Baudelaire’s …
James McNeill Whistler’s Arrangement in Flesh Colour and Black: Portrait of Theodore Duret is a captivating oil on canvas painting that showcases the strong silhouettes, elegant contours, and surface patterns emphasized by Whistler. The artwork was completed in 1883, with the dimensions measuring 76 1/8 x 35 3/4 inches (193.4 x 90.8 cm). At the …
Cremorne Gardens, No. 2 is an oil on canvas painting created by American artist James Abbott McNeill Whistler between 1872 and 1877. The artwork depicts a fireworks display over London’s Cremorne pleasure gardens as viewed from the Battersea Bridge, with the industrial chimneys of Battersea visible on the left. The painting is a typifying example …
Cremorne Gardens, No. 2 (1872-77) by James Whistler Read More »
James McNeill Whistler’s painting “Nocturne: Blue and Silver – Chelsea” is an oil-on-canvas masterpiece that dates back to 1871, the earliest of the London Nocturnes. Whistler completed this artwork on the same August evening as Variations in Violet and Green, and they were exhibited together at the Dudley Gallery. The artist’s aim was to convey …
Nocturne: Blue And Silver – Chelsea (1871) by James Whistler Read More »
James Abbott McNeill Whistler’s Nocturne: Blue and Silver – Cremorne Lights, completed in 1872 is an oil painting on canvas that measures 502 × 743 mm frame: 810 × 1062 × 105 mm. This piece is part of Tate Britain’s Walk Through British Art: 1870 exhibit and depicts an industrial scene of the Thames. Unlike …
Nocturne: Blue And Silver – Cremorne Lights (1872) by James Whistler Read More »
Rogier van der Weyden’s, Virgin and Child is a painting created after 1454. This work is regarded as one of the finest paintings by the artist, known for its exceptional technique and expressivity. The painting, housed in the Museum of Fine Arts, Houston depicts a tender moment between mother and child. Van der Weyden’s portrayal …
Virgin And Child (c. 1454) by Rogier Van Der Weyden Read More »
The Magdalen is a painting that is part of the Braque Family Triptych by Rogier van der Weyden, which dates back to around 1450. The altarpiece was intended for private use by Jean Braque and his wife Catherine de Brabant. On the exterior of the triptych are the coats of arms of both families. The …
Magdalen (right Wing Of The Braque Family Triptych) (c. 1450) by Rogier Van Der Weyden Read More »
Rogier van der Weyden’s Portrait of a Lady is a small oil-on-oak panel painting created approximately in 1460. The composition uses geometric shapes to create the lines of the woman’s veil, neckline, face, and arms. The fall of the light that illuminates her face and headdress further emphasizes this. The scarlet belt serves as a …
Portrait Of A Lady (c. 1455) by Rogier Van Der Weyden Read More »
