The artwork titled “Paris Review,” created by Helen Frankenthaler in 1966, is a prominent example of the Color Field Painting movement and falls under the genre of abstract art.
In the artwork, vast fields of flat, rich colors dominate the composition. The piece features large, uneven shapes in hues of blue, white, yellow, and a segment of brownish-orange. The contrast between the saturated colors provides a sense of depth and movement. The blue section in the upper left merges seamlessly into the dominant white expanse that covers the majority of the canvas. This white area is framed by the yellow patch at the bottom and the brownish-orange shape on the right side. The lower right corner bears the text “THE PARIS REVIEW,” aligning with the overall abstract theme. The simplistic yet powerful use of color and form exemplifies Frankenthaler’s mastery in utilizing color fields to evoke emotion and contemplation.
