Peasant Pushing a Wheelbarrow, Maison Rondest, Pontoise (1874) by Camille Pissarro

Peasant Pushing a Wheelbarrow, Maison Rondest, Pontoise - Camille Pissarro - 1874

Artwork Information

TitlePeasant Pushing a Wheelbarrow, Maison Rondest, Pontoise
ArtistCamille Pissarro
Date1874
Mediumoil,canvas
Art MovementImpressionism
Current LocationNationalmuseum, Stockholm, Sweden

About Peasant Pushing a Wheelbarrow, Maison Rondest, Pontoise

The artwork “Peasant Pushing a Wheelbarrow, Maison Rondest, Pontoise” was created by artist Camille Pissarro in the year 1874. This piece, rendered in oil on canvas, represents the Impressionist movement and is classified as a genre painting. The artwork finds its home at the Nationalmuseum in Stockholm, Sweden.

In the artwork, Pissarro captures a scene of rural life with a gentle sense of immediacy and the fleeting effects of light that are characteristic of Impressionism. The composition features a peasant, central to the scene, pushing a wheelbarrow along a path. The setting is the Maison Rondest in Pontoise, an area that the artist depicted in various works. The path is surrounded by lush greenery and the rough textures of foliage and stone walls, suggesting a modest rural environment.

Dominant in the painting are the earthy tones that complement the flashes of blue and white in the sky, depicting the openness above. The bare tree branches stretch across the canvas, partially obscuring the houses in the background and adding depth and complexity to the composition. Pissarro’s brushwork, loose and expressive, evokes the essence of the Impressionist style, emphasizing the transient quality of light and atmosphere over the fine details.

This scene, like many genre paintings, communicates an everyday moment without grandeur or romanticism, focusing instead on an honest depiction of peasant life. Through the interplay of light, texture, and the unassuming subject matter, Pissarro’s artwork continues to resonate with viewers as a testament to both the Impressionist style and the artist’s profound connection to the landscapes and lives that he observed.

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