“Planes in Modulated Surface 4,” created by Lygia Clark in 1957, is a notable work within the Concretism movement. Classified as abstraction, the artwork exemplifies the artist’s exploration of geometric forms and modulation of surfaces.
The artwork presents a stark interplay of black and white geometric shapes. The composition is meticulously structured, with alternating angular forms that create a rhythm across the surface. Each plane, either in black or white, is carefully delineated, forming a harmonious and balanced visual experience. The sharp lines and clear divisions of space reflect the principles of Concretism, focusing on pure abstraction and the intrinsic properties of the elements within the artwork. The monochromatic palette further amplifies the precision and clarity that characterizes Lygia Clark’s approach to geometric abstraction.