Portrait of a Man (c.1515) by Titian

Portrait of a Man - Titian - c.1515

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Artwork Information

TitlePortrait of a Man
Dimensions45.1 x 50.2 cm
Art MovementHigh Renaissance
Current LocationMetropolitan Museum of Art (Met), New York City, NY, US

About Portrait of a Man

“Portrait of a Man” is an oil on canvas painting by the renowned artist Titian, created approximately in the year 1515. The artwork is a brilliant example of the High Renaissance art movement and measures 45.1 by 50.2 cm in dimension. This portrait genre artwork exemplifies the masterful technique and stylistic approaches of its time and is currently housed at the Metropolitan Museum of Art in New York City, New York, United States.

The artwork presents a half-length figure of a man facing slightly to his right, engaging the viewer with a direct and composed gaze. He has shoulder-length brown hair, a style typical of the period, complemented by a neatly trimmed beard and mustache. The man’s sensitively rendered visage reflects a calm and reflective demeanor.

Detail is masterfully applied to the textures of his clothing; he is dressed in a sumptuous black garment adorned with intricate patterns that convey a sense of wealth and status. The garment is contrasted by the white, fur-edged sleeves of his undergarment, which add to the luxuriousness of the attire. This careful attention to fabric and detail highlights Titian’s skill in painting textures and materials.

The background is neutral and dark, serving to emphasize the figure while also creating a sense of depth. The lighting subtly models the man’s features, demonstrating the artist’s adept control of light and shadow to produce lifelike representations. The psychological presence captured in the man’s expression adds depth to the artwork, inviting viewers to ponder the subject’s thoughts and character.

In summation, “Portrait of a Man” is an exquisite piece from the High Renaissance that continues to captivate audiences with its sophisticated portrayal of an individual, demonstrating Titian’s proficiency in capturing the essence of human presence and the material luxuries of his time.

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