Portrait of a Woman, Probably Susanna Lunden (c.1625 – c.1627) by Peter Paul Rubens

Portrait of a Woman, Probably Susanna Lunden - Peter Paul Rubens - c.1625 - c.1627

Artwork Information

TitlePortrait of a Woman, Probably Susanna Lunden
ArtistPeter Paul Rubens
Datec.1625 - c.1627
Mediumoil,board
Dimensions77 x 60 cm
Art MovementBaroque
Current LocationMetropolitan Museum of Art (Met), New York City, NY, US

About Portrait of a Woman, Probably Susanna Lunden

The artwork “Portrait of a Woman, Probably Susanna Lunden,” attributed to Peter Paul Rubens, dates from around 1625 to 1627. It is an oil painting on board, measuring 77 by 60 centimeters, and resides within the storied walls of the Metropolitan Museum of Art in New York City. This portrait is a quintessential example of the Baroque art movement, characterized by its dramatic use of color, light, and shadow to convey depth and emotion.

The artwork exemplifies Rubens’ mastery of portraiture through its vivid realism and delicate treatment of the subject’s features and attire. It portrays a woman, believed to be Susanna Lunden, who gazes directly at the viewer. Her expression is enigmatic, infused with both a sense of presence and a softness that invites speculation about her inner thoughts. Her attire is opulent; she wears a black dress with a plunging neckline that reveals a string of pearls, a classic symbol of wealth and status during the period. Her head is adorned with a bejeweled headband, and a sheer black veil cascades over her shoulders, adding to the richness of the composition.

The artist’s skill in capturing the textures of the fabrics and the luminosity of the sitter’s skin is noteworthy. The contrast between the dark background and the illuminated figure is striking, serving to draw the viewer’s focus to the woman’s face and the intricate details of her garb. The artwork’s composition, the play of light upon surfaces, and the delicate rendering of the pearls and luxurious materials are emblematic of the Baroque era’s fascination with dynamism, detail, and the grandeur of the human form.

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